Anal, Gonzo Ashley Fires - Anal Visions, Scene 4. Maestro Claudio & Mick Blue BAM Visions / Evil Angel
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With Ashley Fires taking the lead, this production touches on anal play, anal penetration and related acts and gonzo-style or straightforward hardcore scenes with little plot.
Running about 54 minutes, it maintains a balance between brevity and a sense of completeness.
In the original write-up, attention is given to how the scene develops over time. An abridged version of that outline is included below:
Wearing a skintight black evening outfit and sheer nylons, hot blonde beauty Ashley Fires shows off her tight booty and the butt plug she's inserted for director Mick Blue. As he shoots POV-style footage, Ashley wanks his huge, uncut cock and worships the director's shaft with her talented mouth and pretty, bare feet. Fucking her sweet pussy, Mick invades her phat butt with various anal toys. Soon her gaping sphincter is winking with pleasure. Ashley takes a nasty anal ride that earns her a mouthful of semen.
Taken as a whole, this should appeal to viewers who enjoy titles with this kind of focus who prefer a structured pacing and framing. For those interested in Ashley Fires, this serves as another focused example of their on-screen work.
Running about 54 minutes, it maintains a balance between brevity and a sense of completeness.
In the original write-up, attention is given to how the scene develops over time. An abridged version of that outline is included below:
Wearing a skintight black evening outfit and sheer nylons, hot blonde beauty Ashley Fires shows off her tight booty and the butt plug she's inserted for director Mick Blue. As he shoots POV-style footage, Ashley wanks his huge, uncut cock and worships the director's shaft with her talented mouth and pretty, bare feet. Fucking her sweet pussy, Mick invades her phat butt with various anal toys. Soon her gaping sphincter is winking with pleasure. Ashley takes a nasty anal ride that earns her a mouthful of semen.
Taken as a whole, this should appeal to viewers who enjoy titles with this kind of focus who prefer a structured pacing and framing. For those interested in Ashley Fires, this serves as another focused example of their on-screen work.
