BDSM Straitjacket Peril The Institiute Incident Dorothy Laine Productions
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Here Alexis Taylor, Dorothy Laine, Artemis Antone appear in a title shaped by BDSM-themed content involving domination, submission, bondage and discipline.
A runtime of about 45 minutes gives the production a more substantial, feature-like feel.
According to the original synopsis, the scene is framed around evolving interaction and pacing. A short summary from the source material:
Poor Artemis is wrapped in a straitjacket and locked in a room. What she doesn't know is Alexis is enduring the same fate right next door! Eventually, the gals figure out someone else besides the crazy nurse Dorothy is around by knocking on the wall between them. Dorothy finds that her two prisoners are communicating so she tries to keep them apart longer by binding them even more, but Alexis manages to get free and goes to the aid of Artemis. Once that's done, all they have to do is force Dorothy into a straitjacket of her own and then escape from The Institute.
Taken as a whole, this should appeal to anyone interested in focused, well-defined themes who prefer a deliberate visual organization. For those interested in Alexis Taylor, Dorothy Laine and Artemis Antone, this serves as another focused example of their on-screen work.
A runtime of about 45 minutes gives the production a more substantial, feature-like feel.
According to the original synopsis, the scene is framed around evolving interaction and pacing. A short summary from the source material:
Poor Artemis is wrapped in a straitjacket and locked in a room. What she doesn't know is Alexis is enduring the same fate right next door! Eventually, the gals figure out someone else besides the crazy nurse Dorothy is around by knocking on the wall between them. Dorothy finds that her two prisoners are communicating so she tries to keep them apart longer by binding them even more, but Alexis manages to get free and goes to the aid of Artemis. Once that's done, all they have to do is force Dorothy into a straitjacket of her own and then escape from The Institute.
Taken as a whole, this should appeal to anyone interested in focused, well-defined themes who prefer a deliberate visual organization. For those interested in Alexis Taylor, Dorothy Laine and Artemis Antone, this serves as another focused example of their on-screen work.
