Blowjob, Anal, Hardcore Ashley Lane - I Hate My Boss Vol 1 E1
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With Ashley Lane taking the lead, this title leans into blonde-haired performers, oral sex, deepthroat, face-fucking and cum-oriented oral play and gonzo-style or straightforward hardcore scenes with little plot.
With a runtime of about 24 minutes, it feels closer to a complete feature than a short clip.
According to the original synopsis, the scene is framed around evolving interaction and pacing. A short summary from the source material:
Jake (Jake Adams) works for a very successful company. He’s the head of his department and has a reputation of being a real dickhead. One afternoon, while in his office reviewing reports, one of his office girls (Ashley Lane) knocks on his door and asks if she can speak with him. Jake’s busy but Ashley’s young and extremely pleasing to the eye so he decides to take a break and listen to what she has to say. When Ashley nervously asks her boss for a small raise, Jake, being a dickhead, dangles the prospect of a raise and tests just how far Ashley’s willing to go to get what she wants.
For those interested in Ashley Lane, this serves as another focused example of their on-screen work. As a whole, this should appeal to those who appreciate clearly themed releases who prefer a deliberate visual organization.
With a runtime of about 24 minutes, it feels closer to a complete feature than a short clip.
According to the original synopsis, the scene is framed around evolving interaction and pacing. A short summary from the source material:
Jake (Jake Adams) works for a very successful company. He’s the head of his department and has a reputation of being a real dickhead. One afternoon, while in his office reviewing reports, one of his office girls (Ashley Lane) knocks on his door and asks if she can speak with him. Jake’s busy but Ashley’s young and extremely pleasing to the eye so he decides to take a break and listen to what she has to say. When Ashley nervously asks her boss for a small raise, Jake, being a dickhead, dangles the prospect of a raise and tests just how far Ashley’s willing to go to get what she wants.
For those interested in Ashley Lane, this serves as another focused example of their on-screen work. As a whole, this should appeal to those who appreciate clearly themed releases who prefer a deliberate visual organization.
