"Mix" Busty, MILFs, Facial il terzo gode Alberto Cavallone
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Mix headline this release, which explores stylistic themes like MILFs, mature performers or older/younger relationship themes.
Running about 1 hour and 15 minutes, it maintains a balance between brevity and a sense of completeness.
The original synopsis highlights a mix of interaction and steadily building momentum. A brief outline from the source:
Mika Barthel, Franco Coltorti, Alessandro Eusebi, Serwan A. Hoshvar, Dominique Saint ClaireThe plot concerns a criminal gang led by Serwan who takes possession of a suitcase full of drugs coveted by Sandro, one of his associates. Sandro charges his lover Dominique to steal the suitcase, and then cheats her too. Yet the drug is recovered by Serwan and his henchmen, and Sandro is mercilessly killed. Unfortunately, the plot development is just a pretext, and the sex sequences are rather repetitive and sloppy (on a couple of occasions the director even resorts to inserts). The only circumstances that reveal the "Cavallone touch" are a few sadistic moments (the torture inflicted to Dominique Saint Claire and the killing of the traitor), as well as the overall cynicism displayed by various characters.
Anyone interested in focused, well-defined themes and a structured pacing and framing will likely find this release engaging. Fans of Mix may especially appreciate seeing them featured in this context.
Running about 1 hour and 15 minutes, it maintains a balance between brevity and a sense of completeness.
The original synopsis highlights a mix of interaction and steadily building momentum. A brief outline from the source:
Mika Barthel, Franco Coltorti, Alessandro Eusebi, Serwan A. Hoshvar, Dominique Saint ClaireThe plot concerns a criminal gang led by Serwan who takes possession of a suitcase full of drugs coveted by Sandro, one of his associates. Sandro charges his lover Dominique to steal the suitcase, and then cheats her too. Yet the drug is recovered by Serwan and his henchmen, and Sandro is mercilessly killed. Unfortunately, the plot development is just a pretext, and the sex sequences are rather repetitive and sloppy (on a couple of occasions the director even resorts to inserts). The only circumstances that reveal the "Cavallone touch" are a few sadistic moments (the torture inflicted to Dominique Saint Claire and the killing of the traitor), as well as the overall cynicism displayed by various characters.
Anyone interested in focused, well-defined themes and a structured pacing and framing will likely find this release engaging. Fans of Mix may especially appreciate seeing them featured in this context.
